The nature of the diptych is dialectical: the two images that make it up are simultaneously similar so that the viewer can compare them, and dissimilar so that the viewer contrasts them. This conflict gives rise to a new meaning that was not present in each of the images separately. In my project I put the general and particular, the city and nature, the inanimate and people side by side. In this way I create my own new subjective city, which was not in the individual frames. Also, with each diptych and the project as a whole, I pose myself and the viewer a rhetorical question about the relationship between the metaphysical eternal and the materialistic momentary.
